You get a Bosenorfwer, not that you will be able to find a midi board with enough keys for it without shifting, A goods Steinway, and a good Yamaha.
You can't go wrong with this program from what my ears can hear. Unless you are into recording a single piano performance and want it to sound as if you were at the piano, the chances of you being able to hear the difference between DSP and recorded damper sounds is infinitely small, and the ability to be able to tell which one you are listening to in impossible in a blind test. A piano sounds different if it is tuned with equidistant tone tuning than of tuned using spread tone tuning, or whatever you choose to call the two types. They sound different, and some sound better when played with certain types of music than others. I have played Kawai's largest concert grand before as well as smaller Kawai pianos, Steinways, but German and American, Yamahas, and many others. A microphone distorts almost as much as a speaker, and they have characters. It falls below the ability of the human ear to hear much less differentiate between DSP or recorded. The sound of dampers lifting off the keys is a unique and definitely detectable sound, especially when the piano isn't being played, try to pick that sound out when playing loudly or if you are in the crowd. Blind listening tests are the only accurate way to really do it and even then it is just if you happen to like it or not. There is are listening opinions based on actual listening, and then there are those that are not. I have a KORG KRONOS2 with added sampled pianos, a Bosendorfer, and others. My point is this, I have used this program since it came out. The speed of the SSD the samples are on makes a difference, the processor or CPU, the DAQ/AD converters, the speaker wire.
Synthogy ivory 2 set up driver#
Then play it back on goos equipment, maybe some nelson Pass class a amps and preamps, and then there are the speakers, a pair of the best Focals would work, Wilson Audios best, Martin Logans best, JBL's very best in home speakers if you can find them, AV 6's? there are speakers that have diamond dome tweeters, one of my favorites are based on a design by Don Keele that use the technology from submarines to form a constant bean width transducer, the ones that use a little 3" driver designed by Dan Wiggins and have no crossover except one that is very low for the subs, Electrostatic, Heil AMT different cone materials, there is a plasma tweeter, I mean the list goes on and every single one sound more different than this program does compared to other top ones with full-length samples.
make sure they have a recording pattern similar as possible to human ears and record it in Bitsream at 2 or 3 times the sample rate of the standard 2+ Mhz that is the standard. The best way to record a [piano and have it come out sounding like when it was played is to use 2 very good microphones with good electronics, set them where you would be, near the place your ears would be actually. Your speakers are the item in the sound chain that imparts the most distortion as well as the most change in character to a replayed sound sample.
What you hear when listening to sampled instruments has been through so many electronics that there is absolutely no way that what you are hearing is as it was when played. There are too many combinations of sounds to record samples for all of them. Maybe the person who seemed to dislike it because of what he read instead of heard might want to learn more about recording something as complex as an acoustic piano. If its level is far enough below the other sounds being made at the same time the sound engineer must rely on DSP in order to separate it out. This is a problem when you want to be able to change the level of that particular sound. One problem with recording certain sounds that pianos make is that they make them only whilst other sounds are active. 64-bit high-quality DSP can do amazing things. OK, Synthogy should have recorded all the sounds and not used DSP for them, probably. Marching Percussion Accessories Shop By CategoryĮxplore our product finders Shop By Categoryįrom ROCHESTER, NY on NovemMusic Background: Keyboards, Voice, Tenor Sax, Percussion, Guitar, and flute-a-phone. Guitar Workshop Keyboards & Synthesizers Shop By CategoryĬase Finder Drums & Percussion Shop By CategoryĬable Finder Microphones Shop By CategoryĬase Finder DJ Equipment Shop By CategoryĬable Finder Band & Orchestra Shop By Category
Synthogy ivory 2 set up software#
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